關(guān)于在短時間內(nèi)的某幾個人的經(jīng)過
影片信息
- 狀態(tài)：HD中字
- 主演：未知
- 導(dǎo)演：居伊·德波/
- 年份：1959
- 地區(qū)：法國
- 類型：劇情/
- 時長：內(nèi)詳
- 上映：未知
- 語言：法語
- 更新：2025-04-25 20:55:49
- 簡介：我的朋友他的妻子Voice1(maleprofessionalannouncertype)Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts. Thesepeoplealsoscornedsubjectiveprofundity.Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves. Voice2(Debord,monotone)Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished. Voice1Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives. Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction. Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation. Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety. Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning. Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem. Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued... Voice2Ourlifeisajourney”Inthewinterandthenight.”Weseekourpassage...? Voice1Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations. Voice2Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality. Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiverseobjectsandcancompletelyloveonlyoneatatime. Voice3(younggirl)Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom. Voice1Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive. Voice2Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization'sformsoflanguage. Voice1Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymomentordinarylife?canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever. Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnantnuns. Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality. Voice2Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecauseofthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass'smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations. Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheruseoftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep. Voice3Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld. Voice1Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast. Voice2Years,likeasingleinstantprolongedtothispoint,cometoanend. Voice1Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit. Voice2Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept Voice3Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven'tchangedanything. Voice2Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime. Voice1Reallyhardtodrinkmore. Voice2Ofcourseonemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation”poorandfalselikethisbotchedtravelingshot. Voice3Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentimentsTheonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed. Voice2Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed. Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife. Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories. 1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.
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關(guān)于在短時間內(nèi)的某幾個人的經(jīng)過劇情簡介
我的朋友他的妻子Voice1(maleprofessionalannouncertype)Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts. Thesepeoplealsoscornedsubjectiveprofundity.Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves. Voice2(Debord,monotone)Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished. Voice1Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives. Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction. Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation. Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety. Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning. Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem. Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued... Voice2Ourlifeisajourney”Inthewinterandthenight.”Weseekourpassage...? Voice1Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations. Voice2Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality. Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiverseobjectsandcancompletelyloveonlyoneatatime. Voice3(younggirl)Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom. Voice1Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive. Voice2Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization'sformsoflanguage. Voice1Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymomentordinarylife?canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever. Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnantnuns. Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality. Voice2Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecauseofthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass'smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations. Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheruseoftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep. Voice3Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld. Voice1Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast. Voice2Years,likeasingleinstantprolongedtothispoint,cometoanend. Voice1Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit. Voice2Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept Voice3Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven'tchangedanything. Voice2Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime. Voice1Reallyhardtodrinkmore. Voice2Ofcourseonemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation”poorandfalselikethisbotchedtravelingshot. Voice3Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentimentsTheonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed. Voice2Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed. Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife. Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories. 1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.影片別名：guanyuzaiduanshijianneidemoujigerendejingguo影片演員：IMDB評分：6.0總播放次數(shù)：674次更新情況：HD中字電影類型：劇情片詳情地址：http://www.kdear.net/dg/47808.html播放地址：http://www.kdear.net/dgplay/47808-1-1.html
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- HD8.0 史蒂夫·庫根/喬納森·普雷斯/Vivian El Jaber/比約恩·古斯塔夫松/阿爾芳西娜·卡羅西奧/David Herrero/
- HD2.0米洛·馬查多·格拉納/馬修·阿馬立克/薩利夫·西塞/弗朗索瓦茲·勒布倫/米沙·萊斯科特/歐嘉·米爾施泰因/
- HD2.0 赫爾加·古蓮/奧德蓋爾·圖內(nèi)/凱瑞·豪根·西德尼斯/Maja Tothammer-Hruza/莫娜·格倫/海蒂·耶爾蒙森/瑪特·馬努斯多特·索利姆/伊麗莎白·桑德/埃斯羅姆·基達內(nèi)/阿克塞爾·奧古斯特·萊南德爾-勒爾威克/艾爾瑟·瑪麗安·恩格爾/貝爾蒂娜·卡耶姆貝/威克多·羅爾·諾德斯托加/盧卡斯·因維爾西尼/安娜·盧·馬門/埃里克·洛夫·歐瑟·奧夫斯達爾/索爾維格·內(nèi)斯勒·斯湯·豪格蘭德/
- HD1.0 Sarae Adams/Janice Dias/Mike Donovan/Kota Johan/Yuri Pleskun/Andrew Porter/
- HD8.0 吉約姆·卡內(nèi)/梅拉尼·羅蘭/奧羅拉·布魯坦/雨果·狄龍/法布里齊奧·隆吉奧內(nèi)/阿努克·達爾文·霍梅伍德/Vidal Arzoni/Tom Hudson/羅珊妮·杜蘭/杰羅姆·察帕特/Erwin Aureillan/
- HD4.0伊莎貝爾·盧卡斯/特穆拉·莫里森/喬·戴維森/克里斯托弗·佩特/
- HD中字8.0林保怡/車曉/李強/郭威/賀鏹/
- HD1.0 梅格翰·法伊/布蘭登·斯克萊納/維奧萊特·比恩/雅各布·羅賓森/里德·戴蒙德/加布里埃·瑞安/杰弗里·塞爾夫/愛德·維坎斯/特拉維斯·尼爾森/Fiona Browne/塔拉·麥克唐納/Stephanie Karam/Seroosh Max Salimi/Sarah McCormack/Saoirse Hayden/Aaron Keane/Ellen Reidy/Gerry Brauders/Jordon-Dione Scanlon/
- HD8.0保羅·巴伯/瑪瑞亞·達波/安珀·多伊索恩/
- HD4.0 大衛(wèi)·阿奎特/凱文·康諾利/Leila Ben Khalifa/杰里米·盧克/
- 更新第07集8.0 摩里斯·切斯塔特/伊芙·哈洛/因加·施林曼/Tommy O'Brien/香農(nóng)·貝里/Alessandro Pekin/Jean Zarzour/萊斯莉·米爾扎/Anita Alfke/Julia Koon/Camila Canó-Flaviá/Bethany Brown/Lauren Attadia/Ciara Mandel/Arash Ghorbani/彼得·馬克·肯德爾/里特奇·科斯特/羅謝爾·阿耶斯/菲爾·納多茲/
- HD2.0張靜初/蘆芳生/余皚磊/高冬平/董暢/張寧浩/李曉川/富冠銘/
同主演
- TC7.0曾毅/周奇/孫藝洲/柳巖/王玉雯/王迅/張智超/許吳彬/趙海燕/范明/吳軍/蔣詩萌/張磊/李棟/雷淞然/董寶石/龐博/符龍飛/張一鳴/肖央/王太利/孟鶴堂/曹鶴陽/印小天/張曉謙/黃曦彥/
- HD7.0尹馨/曹佑寧/馮淬帆/白潤音/蔡振南/莊凱勛/安心亞/曾莞婷/
- HD3.0哈維爾·古鐵雷斯/路易斯·扎赫拉/特蕾莎·薩班農(nóng)蓋/
- TC9.0白客/辛柏青/郎月婷/耿樂/孫寧/李曉川/張本煜/卓杰澤仁/李浩天/桑茗勝/李感/李延/薛旭春/薩布/楊帆/李思博/王藝禪/王一通/
- TC2.0馬麗/惠英紅/朱亞文/王祖藍/薛凱琪/謝天華/潘斌龍/袁富華/江美儀/太保/張達明/姜大衛(wèi)/鮑起靜/方平/谷德昭/黃德斌/余安安/秦煌/盧惠光/龔慈恩/車婉婉/張達倫/易天雄/陳奐仁/寶珮如/林珊珊/林曉峰/吳志雄/王敏奕/馮文娟/雅玫/黃璐/楊青/黃楚桐/趙潤南/王佳怡/林愷鈴/
熱播推薦
- 更新至06集趙夕汐///張翅///張洪鳴///趙安第///胡賓格///林亞冬/
- 更新至04集賀鵬/丁笑瀅/令卓/常荻/楊祺如/郭祥鵬/楊宇鑫/王崢/楊杏/王姿允/趙龍豪/陳璽旭/彭梓桁/姚卓君/東靖川/
- 更新至07集韓東霖/田軒寧/
- 更新至07集張曉謙/劉燁/王可/龔銳/葉劍飛/黃涓涓/周衛(wèi)星/黃博斯/陽欣毅/王曉亞/連蓮/苑逸倫/劉凱平/曹丹妮/
- 更新至04集任素汐/高偉光/劉琳/劉家祎/張小婉/唐曾/任宥綸/翟小興/曲禾/林鵬/霍青/鄭國霖/丁嘉麗/蔣易/米露/張皓然/孫之鴻/張曉謙/趙淑珍/沈泰/師銘澤/劉瑋婷/李欣燃/孫斌/李熙媛/董李無憂/裘恩典/林琪/周思羽/何苗/馮秦川/王亭文/劉曔/馬可艾/任怡瑄/李曉強/張婉兒/陳朵怡/明星/韓璽曈/鄭偉/康嘉澤/施大生/胡桉赫/孫欣磊/崔璨/邊少帥/朱亞英/石強/馬千壹/薛花淑/吳天昊/張寧/余晟洋/
網(wǎng)友熱搜
- 關(guān)于在短時間內(nèi)的某幾個人的經(jīng)過全集在線觀看
- 關(guān)于在短時間內(nèi)的某幾個人的經(jīng)過完整版在哪里看
- 關(guān)于在短時間內(nèi)的某幾個人的經(jīng)過騰訊視頻在線觀看
- 關(guān)于在短時間內(nèi)的某幾個人的經(jīng)過豆瓣免費視頻
- 關(guān)于在短時間內(nèi)的某幾個人的經(jīng)過主題曲是什么歌
- 關(guān)于在短時間內(nèi)的某幾個人的經(jīng)過首播在那里播出
- 關(guān)于在短時間內(nèi)的某幾個人的經(jīng)過預(yù)告片
- 關(guān)于在短時間內(nèi)的某幾個人的經(jīng)過大結(jié)局
- 關(guān)于在短時間內(nèi)的某幾個人的經(jīng)過百度百科
- 關(guān)于在短時間內(nèi)的某幾個人的經(jīng)過完整版電影在哪里看
- 關(guān)于在短時間內(nèi)的某幾個人的經(jīng)過無刪減在線免費播放
- 關(guān)于在短時間內(nèi)的某幾個人的經(jīng)過大結(jié)局好不好看
《關(guān)于在短時間內(nèi)的某幾個人的經(jīng)過》相關(guān)問答
1、關(guān)于在短時間內(nèi)的某幾個人的經(jīng)過在哪個臺播出？
極速影院網(wǎng)友回答：關(guān)于在短時間內(nèi)的某幾個人的經(jīng)過在騰訊視頻、豆瓣視頻、芒果TV及愛奇藝都可以在線高清觀看
2、網(wǎng)友對《關(guān)于在短時間內(nèi)的某幾個人的經(jīng)過》是怎么評價的？
酷客影院網(wǎng)友回答：今天下午看了《關(guān)于在短時間內(nèi)的某幾個人的經(jīng)過》的1959首映，很唯美，很溫暖，很感人。在看電影的時候 中間有好幾幕眼淚都要出來了，影片中語言不多，仿佛什么都沒說，但仿佛什么都說了，很喜歡這樣的電影?？赐曛髢?nèi)心一下被帶進去，整個下午到現(xiàn)在很久都沒出來。
3、關(guān)于在短時間內(nèi)的某幾個人的經(jīng)過什么時候上映？
星辰影院網(wǎng)友回答：該電影是在1959上映的，由導(dǎo)演居伊·德波安排拍攝，上映以來獲得了674次點評，在劇情片 中也算是翹楚了、
4、關(guān)于在短時間內(nèi)的某幾個人的經(jīng)過在哪個情節(jié)是最好看的？
奇優(yōu)影院網(wǎng)友回答：在中間部分演員演技是相當精湛的，30歲女性在職場尷尬且微妙，既不如新人年輕又不如男性穩(wěn)定，還隨時面臨婚育的選擇，盡管很多女性有能力卻沒帶項目的經(jīng)驗，換工作又沒勇氣重新開始，梁友安人間真實
5、關(guān)于在短時間內(nèi)的某幾個人的經(jīng)過大結(jié)局結(jié)尾怎么樣？
光棍影院網(wǎng)友回答：總的來說這部電影還是非常不錯的，結(jié)尾雖然有點出乎意料，但是在這么多劇情片中已經(jīng)算是非常難得了，IMDB評分6.0不是說說而已的。更多網(wǎng)友問題可以查看豆瓣電影或者百度問答了解詳情。